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Vous avez sélectionné:
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5 partitions trouvées
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Piano, Guitare (duo)
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INTERMÉDIAIRE
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Ron Patton
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Instant Capacity
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Twintastic Music
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SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.987415 Composed by Ron Patton. Film/TV,Pop,R & B. Score and part. 8 pages. Twintastic Music #6305191. Published by Twin...
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Guitar,Piano - Level 3 - SKU: A0.987415 Composed by Ron Patton. Film/TV,Pop,R & B. Score and part. 8 pages. Twintastic Music #6305191. Published by Twintastic Music (A0.987415). Original Pop Piano Score instrumental with elements of the Classic Motown groove giving it a finger snapping, foot tapping feel. The music sample features, piano, guitar, bass and drums.
$4.99 ≈
4.66€
Caravan
Caravan
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Cloches
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AVANCÉ
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Jazz
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Duke Ellington and his Orchest
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Michael Gancz
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Caravan
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Michael Gancz
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SheetMusicPlus
Carillon,Instrumental Solo - Level 5 - SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by...
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Carillon,Instrumental Solo - Level 5 - SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Michael Gancz. 20th Century,Broadway,Film/TV,Jazz,Latin,Musical/Show. Individual part. 8 pages. Michael Gancz #891301. Published by Michael Gancz (A0.1301689). Caravan is one of Duke Ellington's (1899-1974) most famous compositions—although he didn't actually write it. That credit goes to Puerto Rican trombonist Juan Tizol (1900-1984), a member of the Ellington's big band from 1929 to 1944. Tizol composed the theme in 1936 and promptly sold the rights to lyricist Irving Mills for only $25. The song became an instant hit—jazz critic Ted Gioia expllains that it fit perfectly with the musical exoticism that patrons were demanding at [Ellington's] regular gig at the Cotton Club in Harlem. Indeed, much jazz from this era, especially Ellington's, was steeped in Orientalist aesthetics. Although we hear it now as a self-contained musical phenomenon, we must acknowledge this music's problematics even as we continue to celebrate its progressive and revolutionary qualities. Part of my interest in this piece is in its capacity as a vessel in which I can explore my own multiform identity as an expatriate of the Middle East, a carillonist, and a lover of jazz. This arrangement reflects what might happen when these three perspectives collide. Ellington recorded Caravan more than 100 times, and the names of its additional interpreters reads as a history of jazz itself: Thelonious Monk, Art Blakey, Nat King Cole, Dizzy Gillespie, Wynton Marsalis and dozens more all brought their own spin to the tune. What makes it particularly special, though, is its appeal to listeners outside the jazz fandom. The 2014 film Whiplash introduced mass audiences to the song's unique atmosphere and to the genius of the Duke and his sidemen, thanks to an outstanding big band arrangement by John Wasson. My setting of the tune for the carillon recalls both Duke and Tizol's original version and this more recently popular edition.In this arrangement, I hope to highlight the carillon's capacity as a percussion instrument, and to use this as a bridge into the world of jazz. A successful interpretation will focus on groove, stratification of voices, and balance. Try to keep the pedals light!Michael Gancz2023Sources:Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 58–59.
$5.00 ≈
4.67€
De La Chica: Experimentelle und unbestimmte Lieder Op. 9
De La Chica: Experimentelle und unbestimmte Lieder Op. 9
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Piano, Voix
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Julián De La Chica
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De La Chica: Experimentelle un
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Vagabundo Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1182309 Composed by Julián De La Chica. Classical,Opera,Spiritual. Score. 56 pages. Vagabundo Music Publishing #782045. Pub...
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Piano,Vocal,Voice - SKU: A0.1182309 Composed by Julián De La Chica. Classical,Opera,Spiritual. Score. 56 pages. Vagabundo Music Publishing #782045. Published by Vagabundo Music Publishing (A0.1182309). MUSIC NOTES:How does Julián De La Chica materialize the question of “being” in sound? Through text and music as sound material: the choice of the German tongue as a philosophic language; in its sonority, the reference to the tradition of Lieder, a form where word and sound construct a system of meanings in search of the essential. Materializing it through sound, the works achieve this “concentration” of the essential, guided by the question of the “being.” But, how do they achieve it? Long phrases, almost Gregorian rhythmicity, recuperate the capacity for enunciation born of medieval liturgical chant and Buddhist mantras. The concentration of power in the invoked words – to enunciate is to make real what is invoked. The essence is enunciated in the concept, in the construction of the enunciations that constitute the exoskeleton of these songs. The sound materializes the concept; it is sound that creates reality. The sound is in the center of the congealed hurricane. A person that asks the question of “being”, stops time. Their presence is now; only the now exists. That instant is nonetheless a whirlwind that in the meditative act stops in front of the asking person and contemplates their mortal state, unappealable: the state of mortality as illumination. — Susan Campos-Fonseca.
$55.00 ≈
51.33€
Impromptu #1
Impromptu #1
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Piano seul
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New Age
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Contemporain
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Daniel Kruglov
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Impromptu #1
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Daniel Kruglov
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SheetMusicPlus
Piano Solo - SKU: A0.1023901 Composed by Daniel Kruglov. 20th Century,Contemporary,New Age. Score. 6 pages. Daniel Kruglov #4354907. Published by Daniel...
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Piano Solo - SKU: A0.1023901 Composed by Daniel Kruglov. 20th Century,Contemporary,New Age. Score. 6 pages. Daniel Kruglov #4354907. Published by Daniel Kruglov (A0.1023901). This composition has a remarkable capacity to inspire. It will your mood in an instant, assist you in your work, and provide the soundtrack to your life.
$2.50 ≈
2.33€
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